R.G. \Collage

Could a museum with all the precious stolen artefacts of others and the support of the French government fail? Such celebrations are the self-congratulatory affirmations of the seemingly impregnable position certain Western cultural institutions have assumed as a result of relentless colonial exploitation and oppression of African and Asian peoples. Or how could one explain that institutions holding admittedly looted artefacts are not bothered about the illegality of their acquisitions? more
c c TPT

British colonial soldiers committed genocide in the Kingdom of Benin in 1897. They then looted some 4,000 pieces of art which have never been returned. A Nigerian film recreates the invasion, exposing the bestial brutality of Empire.


A Briton has promised to return a looted bronze artifact he inherited from his great-grandfather to Benin. Thousands of such bronzes are held illegally in a number of Western museums. They should be returned to their rightful owners.


If one were to consider the cultural links between Brazil and Africa, Yoruba legacy in the North of Brazil could be the object of focus. However, this exchange was not just in one direction; the Brazilians also has a cultural impact on Africa


Many museums in Europe and America are facing a financial crisis and from recent reports, it would not be unreasonable to assume that they may be tempted to sell, loan, transfer, or exchange African artefacts they are illegally holding, such as the Benin bronzes without anybody taking much notice