For more than 40 years, Morocco has forcefully and illegally occupied Western Sahara despite provisions of international law that recognize the country’s sovereignty. The suffering but resolute Saharawi people, especially the younger generation, are getting impatient with endless colonialism. African people and all who value human dignity and freedom must stand up in solidarity with Western Sahara by demanding an end to Moroccan occupation.

A family in the Ethiopian capital Addis Ababa has been battling with the African Union over a piece of property in the past five years. But the family’s predicament is only a small part of a wider struggle under a soulless system that has little regard for the lives of its people.

Ethiopia is in the grip of a famine once again, bringing to mind the shameful images of hunger splashed around the world by western media in 1984. But Ethiopians are not helpless. They have the power to act: not only to end hunger but also to give the world dignified representations of their own crisis.

The video production/story is around women and FGM. The video narrative is an amalgamation of many women's stories. The story is created under the notion that "it takes a village to tell a woman's story; it takes a village for a woman's voice to be heard." The work is part of a wider project entitled "Dear Mother" created by Daapo Reo. .

To the rest of the world, they are merely statistics of persons drowned at sea while trying to reach Europe in illegal voyages. But these are real human beings, with complex lives, pursuing a dream.

Ethiopia’s rich heritage in music immortalized in vinyl records is vanishing into the international collector scene alongside other artifacts. There is a need to reclaim and honor the vinyl classics as part of the ancient nation’s cultural memory.

The United Nations says one in three women will be beaten, coerced into sex or abused by a partner in her lifetime. Women are increasing resisting.

Varying Western mainstream media styles of reporting on Ebola confirm how narratives are spaces of domination. The African Ebola patient is classically “othered” and portrayed as a villain and perpetrator, while the American Ebola patient is depicted as a victim.

This film by an Israeli director about albino killings in Tanzania is replete with Western stereotypes about the African savage, without any historical or political context