Madam is white and bourgeoise. She likes to shoe-shop, watch soap operas and pose as a liberal of Johannesburg's wealthy northern suburbs. Her 80-year-old mother likes gin and tonic, rugby and firing her catapult at black street traders. Their black maid, Eve, wields a feather duster and plots in vain to wangle a pay rise. A decade after apartheid fell, characters in the cartoon strip Madam and Eve are icons of the new South Africa. Elections last week passed off peacefully and on 27 April the country will celebrate democracy's tenth anniversary with hymns to racial reconciliation. But the storylines in Madam and Eve betray the enduring edge in racial relations. Madam's mother beams as snow falls. 'Thousands of snowflakes landing everywhere. What can be more beautiful than a white South Africa?'