In his reflection on Ngũgĩ wa Thiong’o's Wizard of the Crow ,Yash Tandon argues that like all social studies, there is no neutral literature. Observers and writers on society are part of society, and whether they are conscious of it or not, they are inevitably taking sides in the drama around them. They are a part of the superstructure and the prevailing norms and values of the society around them – adopting them, rejecting them, reforming them or revolting against them.